The Seed by Paweł Jońca, 2003
(Source: darksilenceinsuburbia, via mudwerks)
Miniature painting of Queen Elizabeth I in the guise of Paris judging the goddesses of marriage, love, and war, by Isaac Oliver, c. 1580
Giovanni Paolo Panini - Fête musicale donnée par le cardinal de La Rochefoucauld au théâtre Argentina de Rome en 1747 à l’occasion du mariage du Dauphin, fils de Louis XV (1747)
(Source: colourthysoul, via mirroir)
Rafaela Flores Calderón by Antonio María Esquivel, early 19th Century
(Source: jaded-mandarin, via auspiciousplatypus)
Story of a Comet by Luis Ricardo Falero (1851-1896)
oil on canvas, before 1897
(Source: paintingses, via mudwerks)
Lección de anatomía del doctor sabañón by José Luis Lopez Galvan, 2011
The Whirlpool Galaxy M51
In the spring of 1845, William Parsons, the Third Earl of Rosse, began observing with his great six-foot reflecting telescope - the ‘Leviathan of Parsonstown’ at Birr Castle, in Ireland’s County Offaly. After he had put up with bad weather for a few weeks, the conditions became cold and dry and he turned the world’s largest telescope towards M51 [a galaxy earlier sighted by Charles Messier]. The Earl was excited by what he was the world’s first human to see: spiral patterns of stars, seemingly swirling in great ‘spiral convolutions’ about the center of the galaxy. This was before the availability of photographic plates and so the Earl did what all astronomers then did: he made careful drawings of his observations… if you look at [Van Gogh’s] most famous work, The Starry Night, with the eyes of an astronomer, there is something familiar about the sky in this small painting… No one could ever have seen the spiral pattern of stars until they had looked through Rosse’s telescope or seen his drawings.
- John Barrow (from Cosmic Imagery, 2008)